{"id":74727,"date":"2026-04-23T15:02:52","date_gmt":"2026-04-23T13:02:52","guid":{"rendered":"https:\/\/www.livemag.it\/index.php\/2026\/04\/23\/the-stories-we-wear-il-cortometraggio-sul-costo-umano-del-fast-fashion\/"},"modified":"2026-04-23T15:02:52","modified_gmt":"2026-04-23T13:02:52","slug":"the-stories-we-wear-il-cortometraggio-sul-costo-umano-del-fast-fashion","status":"publish","type":"post","link":"https:\/\/www.livemag.it\/index.php\/2026\/04\/23\/the-stories-we-wear-il-cortometraggio-sul-costo-umano-del-fast-fashion\/","title":{"rendered":"\u201cThe Stories We Wear\u201d, il cortometraggio sul costo umano del fast fashion"},"content":{"rendered":"<p>    <video-js id=\"videojs69ea55d248140\" class=\"vjs-big-play-centered\" controls preload=\"auto\" playsinline data-setup='{\"fluid\": true}'>\r\n        <source src=\"https:\/\/video.italpress.com\/play\/mp4\/video\/nWQR\" type=\"video\/mp4\" \/>\r\n    <\/video-js>\r\n           <br \/>\n<\/p>\n<div> ROMA (ITALPRESS) &#8211; Quando si parla di fast fashion si pensa spesso a fabbriche lontane nel sud-est asiatico. Ma lo sfruttamento \u00e8 anche nei laboratori clandestini delle citt\u00e0 britanniche. A raccontarlo \u00e8 un cortometraggio di animazione, \u201cThe Stories We Wear\u201d, commissionato dalla Glasgow Caledonian University e realizzato da media co-op.<br \/>\nLa protagonista \u00e8 Haina, una migrante appena arrivata nel distretto tessile di Leicester. La giovane, in cerca di lavoro, viene risucchiata dall\u2019industria della moda a basso costo. Non si tratta di una storia inventata, ma \u00e8 il risultato di una serie di interviste condotte dalla ricercatrice Erica Charles della Glasgow Caledonian University<br \/>\nIl cortometraggio, premiato al Cannes Short Film Festival, racconta il costo umano della produzione di abbigliamento per i marchi di fast fashion, ed \u00e8 stato pensato per essere usato nelle scuole e nelle universit\u00e0. La storia di ragazze come Haina non sempre si risolve bene e, nonostante, il tema dell\u2019animazione, il cortometraggio non finge che sia diversamente da cos\u00ec.<br \/>\nUna voce fuori campo, che utilizza estratti di interviste a lavoratori di fabbriche tessili di Leicester, spiega come alcuni operai venissero pagati al di sotto del salario minimo e di come altri fossero costretti a lavorare 12 ore al giorno, sei giorni alla settimana.<br \/>\n\u201cIl cortometraggio dimostra la forza interiore di queste sopravvissute, che spesso si trovano in situazioni disperate. \u00c8 fondamentale affrontare il ruolo che noi, come consumatori, svolgiamo in questo processo. \u2013 afferma la ricercatrice Erica Charles \u2013 Avendo lavorato nel settore della moda per quasi 30 anni, \u00e8 chiaro che \u00e8 necessaria una maggiore responsabilit\u00e0 per lo sfruttamento che avviene nelle filiere di approvvigionamento della moda. Spero che il film incoraggi i consumatori a mettere in discussione i propri comportamenti d\u2019acquisto e a promuovere un cambiamento positivo\u201c.<br \/>\nIl team di media co-op ha scelto una palette quasi monocromatica, proprio per rappresentare visivamente il grigiore degli ambienti, come le abitazioni sovraffollate e lo squallore delle fabbriche. In questo contesto, per\u00f2, colpisce un elemento: l\u2019hijab giallo brillante di Haina.<\/p>\n<p>mgg\/gtr\/col<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>ROMA (ITALPRESS) &#8211; Quando si parla di fast fashion si pensa spesso a fabbriche lontane nel sud-est asiatico. Ma lo sfruttamento \u00e8 anche nei laboratori clandestini delle citt\u00e0 britanniche. A raccontarlo \u00e8 un cortometraggio di animazione, \u201cThe Stories We Wear\u201d, commissionato dalla Glasgow Caledonian University e realizzato da media co-op. La protagonista \u00e8 Haina, una [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":74728,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"jnews_post_split":[],"footnotes":""},"categories":[1171],"tags":[],"class_list":["post-74727","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-video","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u201cThe Stories We Wear\u201d, il cortometraggio sul costo umano del fast fashion - Live Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.livemag.it\/index.php\/2026\/04\/23\/the-stories-we-wear-il-cortometraggio-sul-costo-umano-del-fast-fashion\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cThe Stories We Wear\u201d, il cortometraggio sul costo umano del fast fashion - Live Magazine\" \/>\n<meta property=\"og:description\" content=\"ROMA (ITALPRESS) &#8211; Quando si parla di fast fashion si pensa spesso a fabbriche lontane nel sud-est asiatico. Ma lo sfruttamento \u00e8 anche nei laboratori clandestini delle citt\u00e0 britanniche. A raccontarlo \u00e8 un cortometraggio di animazione, \u201cThe Stories We Wear\u201d, commissionato dalla Glasgow Caledonian University e realizzato da media co-op. 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